Rahima Rahi’s multimedia art functions as a continuous experiment with form, relationships, theory, and identity. Her work spans autobiography, collaborative social documentary, experimental video, installation, reflective/theoretical discourse, and text-based approaches. Rahi experiments with ways to effectively shift the power she holds as a filmmaker over to the community, while still offering participants the value of her creative and technical support. For Rahi, “the process is the reason for creation” of her autobiographical and biographical experimental art. When practiced in a state of heightened vulnerability, the rituals of production ignite the possibility of healing, liberation, and the reclamation of power.